How to watch insidious movies in order

For 15 years now, the “Insidious” franchise has scared public fires with its history of ordinary families plagued by ghosts and ghouls of the astral plane. Unlike other horror franchises, however, each chapter in the series of films “Insidious” was directed by the same set of creatives, which includes in this case the director-producer James Wan and the writer, director and actor Leigh Whannell. This has, in turn, allowed the property to maintain a feeling of consistency from one entry to another, in particular with regard to its fears of PG-13 level.

So if you wanted to make a trip to the astral plane, you may be wondering where to start. The “Insidious” franchise jumps back and forward in time, since there are now as many prequels of the original film as of the consequences. Therefore, it is easy to merge on the “correct” order to watch the movies. But are not afraid, because / film is there to guide you through films (and “insidious” films with him).

After writing and managing the independent horror tube “SAW”, which caused a sprawling franchise, James Wan and Leigh Whannell brought their own tower to the highly man with “Insidious” from 2010.

The film follows the Lambert family, including its Patriarch Josh (Patrick Wilson) and the Matriar Renai (Rose Bryne), because they are beset by ghosts following their son Dalton (Ty Simpkins) and his ability to project astral his mind. When Dalton inexplicably falls into a coma and becomes a ship for these demons, his parents call a mysterious demonologist named Elise (played admirably by Lin Shaye) and his partners Specks (Whannell) and Tucker (Angus Sampson) to deal with the question.

“Insidious” was a success in good faith thanks largely to the passion of Wannell and Wan to make fears. The result is a film full of breeding moments, which is why there is undoubtedly the best episode of the franchise and an excellent starting point to dive.

When “Insidia” became a success, James Wan returned to the director’s chair with this suite, which was also a kick at the box office despite a more cold reception. Unfortunately, he commits the cardinal sin of many suites by doubling the tradition of the franchise, in the overexploiting process what we have seen so far and thus reducing the impact of these ghouls which are hidden in the darkness of the original film. It also presents a resolutely problematic turn which is only more and more questionable in the years than “Insidious: Chapter 2” has opened its doors in theaters.

At the very least, the intrigue of the film gives Patrick Wilson a chance to really go (although to say more, would force us to venture into the territory of Spoiler), and in so doing, that cement it as one of the first kings of cinema. Not only that, but Wilson would also get more and more involved with these films in a creative way as we go, while we will enter later.

While the next film is called “Insidious: Chapter 3,” A more appropriate title would be “insidious: chapter 0” as indicated, the third film in the franchise is in fact a prequel to the original film. See, Leigh Whannell and James Wan made the choice to kill the demonologist Elise at the end of the first film, but she was an integral part of the film’s success that they could not help finding a way to bring it back for “Chapter 2.” So, when he came to make a third film, the couple decided to completely move from the Lamberts and put the property back to Elise by telling how she got out of retirement as a demon hunter in the first place.

“Chapter 3” is the beginning of director of Whannell, and for his first in the stick, he does an admirable work producing fears while reforming some of the heavy entry of the previous entrance in the franchise. Since then, Whannell has continued to lead a pair of universal monster horror restarts in the form of “The Invisible Man” and “Wolf Man”, further deepening its horror bonafids.

Seeing that it is a prequel, you can technically start with “Insidious: Chapter 3” and obtain a complete dose of the Elise background frame, but you would deprive you of the mysterious presence of the character in the original film (which then gives this prequel the most of its power). However, whether or not you would hold my advice, you should end up watching the same film after that anyway, because it is both a sequel And a prequel. Read the rest for more …

While “Insidious: Chapter 3” is a prequel to the original film, it does not attach itself directly to “Insidious” other than by providing an original story to Elise and its demon hunting partnership with Specks and Tucker. As such, “Insidious: the last key” works both as a series of “Chapter 3” And A prequel to “insidious”, linking Elise’s background frame to the astral plane in the own history of Lambert’s possessions when Elise accidentally opens a mysterious red door and inadvertently releases the demon known as Keyface (Javier Botet).

Four films in the series, unfortunately, he begins to feel like “Insidious” has failed in ways to surprise his audience, making sure that “the last key” feels like a spare of all that we have seen before. In addition, as endearing as the performance of Lin Shaye that Elise was in the original film, making her the central character sucks the mystery of her character and therefore makes her less interesting to look.

This is why “the last key” is generally considered to be the worst “insidious” films. Fortunately, however, just when it seemed that the franchise had reached the end of its shelf life, we obtained a sequel that doubled on everything that did the first “insidious” work like Gangbusters to start.

“Insidie” is, in his heart, the original idea of ​​James Wan and Leigh Whannell, who remained involved in all the episodes of the property. But with “The Red Door”, they also opened this partnership in the series Patrick Wilson. Having worked with Wan on several films at this stage, including the “conjugating” and “Aquaman” franchises, Wilson went from Scream King to a director with “The Red Door”.

Wilson was at the heart of the first chapters of the franchise, it is therefore completely appropriate that he took the role of director when the property returned to focus again on the Lambert family. “The Red Door” explores the generational curse at the heart of the first two “insidious” films, giving the Lamberts the opportunity to get rid of demons (literals) which torment them for good. Having been the center of so many horror films, Wilson has designed a sequel that remains faithful to the roots of the property while introducing a palette of bad mood colors which is strongly leaning into the aesthetics of the world of dreams of the “insidious” franchise greater to great success.

You could, in all honesty, start and put an end to your “insidious” trip here, because the film acts as a restart by refocusing on the Lambert family. At the same time, the film works as better if you will already know everything that the lambers have gone through over the years. In addition, you will not really understand why the film devotes so much time to a scene featuring an old lady who talks about demons on a video at some point.

Once you have closed “The Red Door”, however, you will have watched all the “insidious” films in order … at least until “Insidious: Chapter 6” comes to strike.

With “Insidious: Chapter 3” and “The Last Key” acting as prequal to “Insidia”, you would be justified to wonder if you should follow the story of Elise and the Lambert family in chronological order.

Although this is certainly achievable and would give Elise fans the possibility of remiting the franchise that surrounds it, it would be at the expense of history greater than the “insidia” crafts in its first five films. After all, all the purpose of a prequel is not to set up Easter eggs for the original; It is to deepen what we have seen before and provide a new context as a public to understand the story and the broader themes. Even if the prequels only succeed marginally, the point always maintains that watching Elise associates with Specks and Tucker in “Chapter 3” only matters to us because we have seen what their partnership is capable in the original film.

Watching these films chronologically would also decrease the impact of the discovery of the red door in “The Last Key”, adding two other films which do not refer before they can fully explore the consequences of Elise’s actions when the Lambert family climately in the fifth episode.

So go for it and watch the films in chronological order, if you dare. Do not say that we did not warn you …